![]() Thought to contain the ultimate in technical innovation at the time of its release, the film's landmark mixture of live action and animation is not as impressive today in light of the more sophisticated and complex computer-generated animation featured in features like Shrek and Finding Nemo. The movie that popularized the term "toon," Who Framed Roger Rabbit rightly deserved the four Oscars it won for its imaginative visual effects. Their review is “Yeah! I liked it!” (5 year old) and “Didn’t like it as much as Space Jam” (7 year old). As I say, Christopher Lloyd’s character might be a bit much for some little ones (and even some adults), but any child older than 7 shouldn’t be too stressed. But hey! Toughen your kids up and they’ll grow up well adjusted and happier for it. Also the shoe dying in the dip scene is sad but it needs to be to establish the bad guy as dangerous. There is a moment when this guy gets shot in the back but the actual depiction of that is brief and (funnily enough) a bit cartoon like, so it’s not actually that emotional a moment. ![]() ![]() And they laughed at all the cartoons and the rest of the adult stuff was mild and brief and over their heads. Don’t you remember when you were little and something on the tv made you run behind the sofa? It didn’t kill you, did it? It toughened you up a bit. ![]() It’s teaching them that imaginary worlds and real worlds are distinct, and the fun here in this movie comes from seeing them both put together. They know cartoons like Tom and Jerry and Wile E Coyote and no matter what cartoon mishaps befall those characters, they are back on screen the next moment. They both loved every other second of the film, especially the cartoon violence which they have talked about as “not being real” and how in real life “you can’t be like a cartoon”. Good girl! She could tell what the film was doing. The five year old just sat there totally unaffected and said “he’s the baddie”. I’ve shown this film to my little daughters, 7 and 5, and my 7 year old only freaked out and ran off for a moment when Christopher Lloyd’s character turned into an evil cartoon at the end. At the very least, all of the publicity surrounding the renovation is bringing renewed interest in the ride, Who Framed Roger Rabbit, and Disneyland.Spoilers in this review. They maintain that Jessica Rabbit was not a “damsel in distress,” and she held her own in both the film and the original ride. On the other hand, some fans are upset that the reboot ignores the original story. They like the idea of Jessica Rabbit as a private eye, and believe the new narrative better connects the ride to the surrounding land. Some people are happy that the classic attraction is getting an update. Jessica Rabbit is now more empowered-and far less scantily clad.ĭisney’s update of the ride is getting a lot of attention, both positive and negative. Therefore, she has been transformed into a trench-coat-wearing private investigator who uses her intelligence to solve a problem in Toontown. Disney is ostensibly making the changes because it believes the Jessica Rabbit character embodies the “damsel in distress” stereotype, which may be seen by some as insensitive.
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