To dive back in would, for them, have been disingenuous, the decision motivated by calls from the public and networks to serve up a fresh helping rather than their burning desire to tell a particular tale. There is every chance that further seasons would have reached the heights of their predecessors, but both Coel and Waller-Bridge had exhausted their reserves in regards to those stories and the characters that power them. Season two would, of course, throw up a new crime, the tendrils of which would envelop the Easttown community, dragging a cohort of fresh faces and their secrets out into the light.īut choosing to put down the pen and walk away can be the smartest move a creator can make, as we saw with Michaela Coel and I May Destroy You, and Phoebe Waller-Bridge with Fleabag. We'd pay good money for a Jean spin-off, but that's a conversation for another day. But Mare of Easttown was as much a character study as a murder mystery, with viewers totally invested in the police detective's journey (and her total lack of culinary skills – cheese in a can, anyone?) from the moment we were first introduced.Īnd there would be zero complaints if the exquisite Jean Smart was given another opportunity to play Mare's Fruit Ninja-loving, cocktail-schlurping, snack-hoarding mother Helen. With that transformation emerged new layers to her character that, along with the whodunnit at the heart of the narrative, kept audiences locked in.Įrin McMenamin's murder and the myriad twists and turns that led to the unmasking of Lori and John Ross's son Ryan as the killer would have been the sole driving force in numerous other dramas. Mare was transitioning into a person who was learning to live with the unacceptable, rather than continue to rail against it at every turn, hemmed in by her own grief. Her initial unwillingness to go there thawed with every conversation and through that, we witnessed a metamorphosis. Therapy had forced the protagonist to reckon with her untapped trauma. The Mare we met at the beginning of the series was not the woman we said goodbye to. However, creator Brad Inglesby was slightly more apprehensive and told Hollywood Reporter he wasn't convinced there was more of a story to tell. Who knows? We'll have to wait to see if they come up with something they're dying to tell." "If Brad felt like he had a story to tell that felt like it would be at the same level, I think everybody would be open to it," he told Variety. In June, HBO boss Casey Bloys also added fuel to the fire and seemed to have an interest in making more Mare of Easttown as well. "There's something very addictive about Mare, because she's so outrageous and loveable and brilliant and real, you know? I loved playing her." Speaking to TVLine ahead of the series finale, she said: "I would absolutely love to play Mare again. But as of October 2022, nothing's been announced.Ĭonversations about a third season as well have regularly surfaced since, such is the appetite to witness the fallout from season two.Īs for Mare of Easttown, Winslet has made no secret about her desire to return to the character. Given all of the above, it wouldn't be surprising if season two was given the thumbs up. It should also be noted that every episode drew in more viewers than the last, which had only been achieved by Nicole Kidman and Hugh Grant drama The Undoing prior to that. Three million viewers tuned in that Sunday evening (via Deadline) to discover who had murdered Erin and why, with a further four million viewers watching over the weekend on streaming service HBO Max. Kate Winslet's gritty HBO crime drama Mare of Easttown quickly gripped the world when it launched in April 2021, and ever since fans have been begging for more.ĭespite it being marketed as a limited series (meaning a 'one and done' season format), that hasn't deterred people from wanting more of the grim Philadelphia suburb.īy the time the show ended on May 30, WarnerMedia proudly announced the finale was the most-watched episode of any HBO or HBO Max series during its first 24 hours.
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